Citation, Documentation of Sources

Q. I am looking without success for guidance on citing a specific chapter in a book with just an author. Of course, one can cite the whole book, but sometimes it is more appropriate to drill down on a particular chapter.

Q. In a bibliography, is it ever appropriate to give the title of the work first and then the name of the author, if the title of the work is known better than the author or editor?

Q. Hi—I am a student from Montreal and I am trying to cite an online dictionary and cannot find the proper citation format.

Q. Hello—For my dissertation, I am citing many Italian books from the seventeenth and eighteenth centuries. Many contain prefaces, but they are almost never called by that name. Most of the time, they are dedications to so and so. What is worse, they often do not have page numbers. So if I take a specific quote from somewhere in the dedication, should I write the name of the dedication and then the page number (based on the pages I counted)? This is from a preface, so shouldn’t I then use roman numerals in the lower case, iii? So the entry might look like this:

Giovanni B. Donado, Raccolta curiosissima d’adaggi turcheschi (Poletti, 1688). (“Illustriss. Sig. Sig. e Patron Colendissimo”), iii.

I would greatly appreciate your help on this.

Q. I am writing a history of a jazz label and many of my source documents are contracts that were negotiated with the American Federation of Musicians. I am following The Chicago Manual of Style but do not see any specific reference regarding how these contracts should be listed in my bibliography.

Q. I’m trying to directly quote a source that includes a word typed in bold lettering, but the bold word is rather distracting within my paper. Is there a way for me to unbold the word and cite my alteration of the original text?

Q. I am editing a text in which it is necessary to cite the source of several illustrations from an unpaginated book published in Asia. The author and I agreed that it would be useful to count the leaves and then cite the page number as a folio, for instance, “ff42v–43r.” We disagree on where to begin counting: the title page (English) or the first page with print. This first page might be interpreted as a half title page: it has just the Chinese name of the artist, who is the subject of the book. The verso might be considered a frontispiece: it has a photograph of the artist and a quotation. So which would be folio 1?

Q. How do I cite a handwritten document that was originally written in 1781, but was copied in 1849? I viewed the copied version. Thanks.

Q. Hello, I would really appreciate it if you could please explain the difference between citations plus commentary (14.37) and substantive notes (14.39). They appear to address the same issue, but 14.37 says the source should come before the substantive notes, and 14.39 says it should come afterward, following usage in 14.38. I’m finding this confusing.

Q. Hello! I’m currently editing a paper that will be submitted to a journal and have come across a very odd endnote in which the client has cited a number of authors and publications within the same note. It is not a direct reference; rather these are all sources in which a general argument has been made. I am confused as to whether this is proper endnote style. I was thinking perhaps they should all be listed separately, then the in-text endnote number could be listed as 1–5, or 1,2,3,4,5. Or perhaps an endnote is unnecessary, given that this refers to a more general philosophical argument of which there are many proponents?