Q. How do you determine which publisher to cite if the book has had more than one publisher over time, and which publication
date do you use: the latest edition/publication date, or when the book was first published?
A. Generally, cite the source you’ve consulted. Pagination and content may vary across different editions
(or printings or postings) of the same work; citing an edition you did not consult could render your citation inaccurate.
In any case, a full source citation to one edition of a work will generally be enough to lead readers to any other editions
of a work. In some cases, especially for older or classic works, an original publication date is useful; it may be included,
preferably in square brackets, before the date of the edition cited.
[This answer relies on the 17th edition of CMOS (2017) unless otherwise noted.]
Q. It is not uncommon in the literature of film studies today to have epigraphs that feature a choice bit of dialog from one
of the characters in a film, and often the author of the screenplay is not given, but only the film title, character’s
name, sometimes parenthetically the actor who played the part, and year of the film’s release. Similarly
if one wants to quote a choice bit of dialog from fiction, say, one of Sherlock Holmes’ admonitions
to Watson, does one credit Holmes and/or Conan Doyle? CMOS is mute on such attributions in the context of epigraphs.
A. You have a lot of leeway with epigraphs; for example:
Unhappy that I am, I cannot heave
My heart into my mouth.
—Cordelia to her father, King Lear 1.1.91–92
King Lear can stand on its own (unless you are one of those who like to insist on an author other than Shakespeare). You might just
cite King Lear 1.1.91–92 as the source; those who don’t know the play will have to read it and
figure out that it’s Cordelia who speaks those lines, then ponder what it all means. The point is that
you are not obligated to cite more than the barest minimum of a source in an epigraph.
[This answer relies on the 17th edition of CMOS (2017) unless otherwise noted.]
Q. I am using the Chicago style to cite a magazine article. If there is a “?” at the end of the article title, do I still need to use a period before the quotation marks?
Q. I have searched for the answer to this question but have not found it discussed in your text. I am writing a dissertation
in the social sciences. I cite to references in parentheses in the text in the format (Smith 1999) with full citations contained
in a bibliography. I sometimes cite to the same reference a few sentences later. I am wondering if I can use the abbreviation
(ibid.) instead of repeating the exact same citation (Smith 1999)?
A. Chicago considers an in-text parenthetical author-date citation to already be in a short form and therefore discourages “ibid.”
as a substitute. If you must use “ibid.,” just be careful that no intervening
sources creep into the text. It does mean “in the same place [as the last item cited],”
but it requires that the reader see or recall the last source, an inconvenience we feel outweighs the minor space gain.
[This answer relies on the 17th edition of CMOS (2017) unless otherwise noted.]
Q. Perhaps you can help me. How do I format a second footnote for an article in an edited anthology (more than two editors), when the anthology already has been cited fully in another footnote for a different article in the same anthology? Must I write the complete citation for the anthology for every article contained within it?
A. Once the full facts of publication for the anthology have been presented, you may use the short form (N.B.: my example is partly made up; I don’t have the anthology handy):
17. Emily Dickinson, “After Great Pain a Formal Feeling Comes,” in The Norton Anthology of American Literature, ed. Nina Baym (New York: Norton, 1998), 1:33–38.
24. James Russell Lowell, “To the Dandelion,” in Baym, Norton Anthology, 1:77.
For a discussion of short forms of titles, see CMOS 14.33.
[This answer relies on the 17th edition of CMOS (2017) unless otherwise noted.]
Q. I’m in the process of finalizing my Ph.D. dissertation, and I’m struggling with
two minor stylistic issues: (1) How should I handle citations within a parenthesis when it begins with e.g.? Should the year
be enclosed in parentheses or not? That is, “. . . (e.g.,
Porter (1987))” or “(e.g., Porter 1987).” (2) Is there an
elegant way to refer to a page or section in the current document so that the cross-reference is not confused with an external
reference. For example, the text may read: “According to Porter (1987), strategy can be defined as.
. . . This definition is used in the current research (see also p. 49).”
This reference could be interpreted as page 49 in Porter (1987) or as page 49 in the dissertation.
A. If your citation is to the work and not to the author and secondarily to the work, then the correct form is (e.g., Porter
1987). If you were citing the author, that would change:
Many authors have discussed this point (e.g., Porter [1987]).
As for the cross-reference to your own work, try this: (see also p. 49 above).
[This answer relies on the 17th edition of CMOS (2017) unless otherwise noted.]
Q. I am attempting to help someone out with their bibliography and I, of course, have received all the difficult entries. I have a three-page document that is an Executive Summary; it is not a published work, nor does it have any “publisher” information, but it does list authors. How would I cite this? Would I follow the rules for citing an unpublished, duplicated piece?
A. I assume that an executive summary is a type of corporate report; pamphlets, corporate reports, brochures, and other freestanding publications are treated essentially as books. Data on author and publisher may not fit the normal pattern, but sufficient information should be given to identify the document. So,
Dean, James, and Brenda Starr. High- and Low-Density Lipoproteins. NIH Advisory Panel, Executive Summary, June 2001.
In other words, you should include the author, any title, the organization under whose auspices the summary has been written, the fact that it is an executive summary, and the date. If something doesn’t seem to fit any parameters, be descriptive and ask yourself if the citation would either lead the interested reader to the source or let the reader know exactly who was responsible for what, and when.
[This answer relies on the 17th edition of CMOS (2017) unless otherwise noted.]
Q. I have looked high and low for some reference to citing television ads in your manual, and have not found a single one. How
would one cite a television commercial as part of an article’s running text, and in the references section
as well?
A. There is no provision for citing television advertisements in The Chicago Manual of Style. TV ads are in a sense part of the public experience and a matter of historical record. Say you are describing the advertisement
for the Volkswagen Golf that features the Styx song “Mr. Roboto.” It is a piece
of popular media that you are describing and need not be cited—description suffices. It is not a matter
of leading a reader to a specific source that can be obtained from a public archive (though you might be able to find a copy
on YouTube). Should there be an occasion on which you did need to provide a reference citation, you could do something like
this:
Volkswagen. “Crazy Guy.” Television advertisement. Arnold Communications, Inc.,
directed by Phil Morrison, 2000.
But you would have to have that information (the ad won an ANDY, and information about it became readily available online,
from a variety of reputable sources).
[This answer relies on the 17th edition of CMOS (2017) unless otherwise noted.]
Q. I have a question that I hope you will answer for me. In an academic book, how does one cite a quote that is taken from a
book of quotations (such as Bartlett’s)? Does one cite the quote’s original source— Bartlett’s provides scant information about its quotes’ sources—does one cite Bartlett’s, which seems awkward to me, or are quotes found in books of quotations considered to be part of the public domain and, therefore,
not in need of citation? Also, are there different rules for whether the quote is placed above the chapter title (a chapter
epigraph) or part of the body of a chapter? I am working under a tight deadline and would, therefore, greatly appreciate a
prompt response, if possible.
A. In an epigraph, just the name of the author of the quotation is generally sufficient. Membership in Bartlett’s guarantees such status. Add the date, if it is interesting, and the work from which the quotation is drawn, if that seems
interesting as well. In text, you also need only credit the name of the speaker, but if you feel a reader might benefit from
knowing more, it is appropriate to cite the work as well in the bibliographic apparatus. You can cite Bartlett’s, like this:
13. From William Shakespeare, A Midsummer Night’s Dream. Quoted in Familiar Quotations: Being an Attempt to Trace to Their Sources Passages and Phrases in Common Use, by John Bartlett (Boston: Little, Brown, 1886), 44.
Or you can track down the original source in order to check accuracy and cite the full publication facts of that source. It’s
really a matter of which source you, as an author or an editor, feel would be more relevant given the context of the work
in question. But outside the familiar world of Bartlett’s, it’s usually best to avoid citing something “quoted in”
another work; always go to the original work if possible.
An epigraph generally goes after the chapter title and before the beginning of the text of the chapter (but before a leading
subhead, if there is one), but an innovative designer could conceivably depart from that rule with success.
[This answer relies on the 17th edition of CMOS (2017) unless otherwise noted.]
Q. Hi. I’m creating a handout for students that’s kind of a quick guide to simple
kinds of citations following CMOS and referring them to their copies of CMOS for more info. I’m having trouble finding your preference for television show citations. I can find
info on citing them within a text or for citing reviews, but how about citing the actual program in a bibliography?
A. Here goes:
Friends. Season 7, episode 7, “The One with Ross’s Library Book.” Directed by David Schwimmer and written by Scott Silveri. Aired November 16, 2000, on NBC.
You can also list under the name of the director. See CMOS, chapter 14, for more examples.
[This answer relies on the 17th edition of CMOS (2017) unless otherwise noted.]